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In 1980, only months after Anthony Blunt’s exposure as the so-called fourth man in the Cambridge spy ring, Julian Mitchell sat down to write Another Country. The play told of how, in the ruthless hierarchy of an English boarding school, a homosexual teenager incubates a terrible vengeance against an Establishment he comes to regard as an enemy. It was about sex and class and it hummed with newsworthiness. And yet no theatrical management would touch it. The RSC, the Royal Court and the National said no, as did every West End producer.